LONTAR is now open for submissions!
Do please read the submission guidelines carefully at the Submittable portal, and be sure to send your very best work. There is no deadline, since we will look at submissions on a rolling basis. Be sure to give us 90 days to consider your work before querying us.
We’re hoping to launch the inaugural issue in November at the Singapore Writers Festival, so if you want your piece to be considered for our very first issue, make sure to submit it by mid-July; any later than that, and we can’t guarantee inclusion in Issue #1, even if we accept your piece.
LONTAR is a literary journal of Southeast Asian speculative fiction in English, published and distributed by Math Paper Press in Singapore.
This ancient form of writing is the perfect inspiration for the collation and curation of Southeast Asian speculative fiction. It is an early technology that revolutionized the dissemination of knowledge (it no longer had to be handed down exclusively in oral form), and it was used predominantly in India, Thailand, Cambodia, Laos, and Indonesia. In addition, lontar were used as a vehicle for both epic and more mundane narratives, as well as an early form of graphic literature (classifications for the different types of lontar can be found at Wonderful Bali).
Why Southeast Asian SF?
Southeast Asia is a region that has thus far been under-represented in the more traditionally Western field of speculative fiction. Part of the reason for this in the past has been the language barrier, but this is no longer the case; with English as the lingua franca the world over, more and more people in Southeast Asia know the language fluently. And while publications such as The Apex Book of World SF and Expanded Horizons have created friendly venues for SEA writers in English, the support is largely not there for speculative writing in their own countries, because it may be deemed “frivolous” or “not pragmatic enough.”
It is true that Western writers such as Paolo Bacigalupi and Geoff Ryman have shone a speculative light on SEA countries such as Thailand (The Windup Girl) and Cambodia (The King’s Last Song), but we can go even further to promote the genre and the region. LONTAR is engaged with publishing speculative fiction, non-fiction articles, poetry, and sequential art from both SEA and non-SEA writers, in order to spread awareness of this literature to readers who might not normally be exposed to it, and to celebrate its existence and diversity within the region.