Gord Sellar’s striking novelette, “The Spurned Bride’s Tears, Centuries Old, in the Rain”, was just published as the anchor story in LONTAR issue #5, and he’s assembled some notes on what inspired him to write it:
During the winter of 2010, I spent approximately two months in Indonesia (with much of that time spent in Depok, an exurb of Jakarta), where my then-girlfriend—now my wife—was studying Bahasa Indonesia, the official national language of the country. Indonesia’s not an easy place to be, at times: Jakarta’s traffic is pure insanity, and I got the worst food poisoning of my life there. But the place had a powerful effect on me: rereading the story at some remove, I find Depok rushing back into my mind with vivid, overwhelming immediacy.
One interesting thing about Jakarta is that, despite the nation’s official semi-secularity, and the overwhelming popularity of Islam there, the’re a certain amount of Hindu cultural material that still is very visible in Jakarta (let alone over in Bali, where Hinduism is still commonly practiced). Hinduism in Indonesia (as in much of Southeast Asia) predates the arrival of the now-dominant religions of Islam (in Indonesia) and Buddhism (in much of the rest of Southeast Asia) by a significant margin. Angkor Wat depicts scenes from Hindu, not Buddhist, religious narrative. The Ramakian of Thailand is a localized remix of the Ramayana. It got me thinking about Hindu cosmology underlying modern Indonesian religious practices and identities: what if the Indian model of the afterlife—reincarnation for as long as people need to work out their karmic and dharmic balance—were correct, despite the majority of Indonesians adhering to a different model of the afterlife today?