As part of the celebration for the release of the ebook version of LONTAR issue #10 at Weightless Books, we’re releasing three short interviews with some of our L10 contributors!

WB previously posted our interviews with Manish Melwani and Drewscape, and today we’ve got our third and final interview with award-winning novelist, fictionist, playwright and anthologist: Dean Francis Alfar! Here’s a taste:

Jason Erik Lundberg: Salamanca celebrated its 10th anniversary last year, with a reissue in the Philippines by Anvil Publishing and serialisation in LONTAR. What does the novel mean to you a decade on? Has your attitude to it changed in those ten years?

Dean Francis Alfar: Salamanca is very special because it came at a point in my writing life when I didn’t know if I had it in me to write a novel. I had written plays and short fiction but the prospect of tackling the novelistic space was daunting. Because I was able to write it—then have it win a prize, then get published, then still have legs ten years later—is very meaningful to me: it shows that fear, when conquered, has the potential to transform into something truly magical. It showed me that I shouldn’t be intimidated by something new, and this is a life lesson I have taken to heart.

Because the book has become required reading in some universities, I get notes from readers who are surprised that a novel written by one of their own countrymen could be moving and resonant. I’m always moved when new readers who’ve discovered the book reach out, inspired that if I could do something, then they could do something as well.

Read the full interview here!

You can still, of course, get your hands on the gorgeous physical print edition of L10.

As part of the celebration for the release of the ebook version of LONTAR issue #10 at Weightless Books, we’re releasing three short interviews with some of our L10 contributors!

Last week, WB posted our first interview with Manish Melwani, and today we’ve got our second interview with graphic novelist and illustrator Drewscape. Here’s a taste:

Jason Erik Lundberg: “Rewire” uses as its premise the transformation of an android into a “real” woman who soon outgrows her creator’s programming, harkening back to My Fair Lady and even farther back to the myth of Pygmalion. What was it about this type of story that inspired you to put your science-fictional spin on it?

Drewscape: I usually get my inspiration from things I myself experience and also from trying to understand how others think. For this story, I wanted to tackle the issue of how, in a romantic relationship, we often try to change another person to suit our requirements, only to find that they really can’t change. However, in the end, I suspect that there is still some change that happens to us after going through that relationship.

Read the full interview here!

You can still, of course, get your hands on the gorgeous physical print edition of L10.

LONTAR issue #10, our final, double-sized issue, is now available publicly in ebook format at Weightless Books! (Our Patreon patrons received theirs a month ago.) The physical print edition is a sight to behold, and wonderful to hold in your hands, but if you’re unable to get it, you can now own the ePub or Mobi version of the ebook for only $4.99!

And to celebrate the release, a new interview has been posted with Manish Melwani, whose “Sejarah Larangan; or, The Forbidden History of Old Singapura” is the lead-off story. Here’s a taste:

Jason Erik Lundberg: “Sejarah Larangan; or, The Forbidden History of Old Singapura” is a reimagining of a long-mythologised nation-building narrative in Singapore: how Sang Nila Utama, a Srivijaya prince from the Sumatran city of Palembang, named the country Singapura (or “Lion City”) after spotting what many now cite as a tiger upon making landfall. What was it about this myth that made you want to tell a “secret history” of the encounter?

Manish Melwani: Like most Singaporeans, I first learned that myth in primary school. It’s been fascinating to revisit it. The story is part of the Sejarah Melayu, or Malay Annals, which is a collection of regional legends. It contains some fantastic stories, including the tale of Badang, who is sort of a Malayan Hercules and a character in my version too.

After reading around the myth in books like Singapore: A Biography by Mark Ravinder Frost and Yu-Mei Balasingamchow, Singapore and the Silk Road of the Sea by John Miksic, and Between Two Oceans: A Military History of Singapore, edited by Malcolm Murfett, I was struck by a couple of things about Singapore’s ancient history.

Firstly, the archaeological evidence seems to suggest that Singapore was a trading port as far back as the 13th century. There’s a narrative that this only happened recently, or that it only happened when the British came, but Singapore’s location has always been well-placed for various local and regional maritime powers.

Secondly, the accounts are full of blanks and contradictions. There are multiple versions of the Sejarah Melayu, revised by king after king in order to legitimise their own rule. There are also interesting ways in which these legitimating stories tie into regional and global myths and histories. For example, various rulers in South and Southeast Asia claimed descent from Alexander the Great—including Sang Nila Utama.

I wanted to convey this palimpsest-sense of unreliable history and also to examine the relationship of fables and myths to power, while posing a new origin story or “secret history” of my own, one that incorporated the regional historical context. Weretigers show up a ton in the region’s mythology, and it seemed to come together into an elegant and compelling story premise: Sang Nila Utama lands on the island of Temasek, but it’s not a tiger he mistakes for a lion, it’s a weretiger.

Read the full interview here.